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A day in The Cabin at Bucks Mills. 

On April 5th 2015 the National Trust property, home to the late artists Mary Stella Edwards and Judith Ackland, had an open day in collaboration with the Burton Art Gallery. Warren Collum, Exhibitions Officer for the Burton, was present and provided information about the artists and their lives prior to and during their lives at the Cabin.

It was a great relief to finally be able to see The Cabin after reading about their lives in the place and seeing the Ackland and Edwards: Read through the Lines exhibition.

I'm going to be honest, the word "pokey" just doesn't cut how small and old everything in The Cabin is. It's more grimy than "vintage" if you know what I mean, which, for me, is surprising as they were living in the Cabin until the 1970s. I expected the interior to be more dainty as their Jackanda's were so beautiful, delicate and refined; however I was wrong to assume that. Interior design aside I found all their little items and furniture very charming. There was a sense of nostalgia and by gone times when looking around their small cottage, the feeling present was almost like they had just left and everything was still there, just where they had last left it. I kept seeing items and thinking "Ah I saw that in a photo" or "Judith must have used this everyday" etcetera.

It was also nice to go down onto the beach as they did quite a few watercolours on the same strand of rocks that are outside the Cabin today. Bucks Mills as a whole is awfully quaint and worth a visit in and of itself. If you didn't manage to go to the April 2015 Open Day then keep an eye on the North Devon National Trust website to find out when their next Open Day is.



Check out my story on Steller!

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EXHIBITION March 21 - April 27

Great new exhibition at the Burton on the life and work of bideford born man Vernon C. Boyle.

In layout and content this exhibition is quite similar to their previous show Ackland and Edwards: Read Between the Lines. It has a focus on exposing Vernon C Boyle as a person, not just showcasing his work - which, if you like History like I do, makes an interesting day out. The exhibition consists of watercolours, sketches, photographs and items left behind by the artist.

It is an exposition of work that helps us to see the North Devon area in the past through the life and work of a painter.

On a side note; The Cabin, Bucks Mills (the home belonging to Judith Ackland and Mary Stella Edwards) has an open day on Sunday 5th April.





"A Bidefordian by birth, Vernon C. Boyle, sketched and painted, mainly watercolours, throughout his life wherever he was in the world. His love of shipping, the River Torridge and North Devon inspired much of his work. A rower and active member of Bideford Amateur Athletic Club he was particularly interested in recording Bideford, the estuary, erosion, shipping and boats of all types.
This exhibition of selected works makes interesting connections to many of the watercolours of the area by Hubert Coop in the Burton's Permanent Collection, defining an era and uniquely capturing our past.
This exhibition is generously supported by the Estate of Vernon C. Boyle." source
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Exhibition from 28th March - 1st May

Finally, another blog post on an exhibition! I saw this exhibition (Howard Hodgkin: Green Thoughts) at the Burton Art Gallery, Bideford on the day it opened; Saturday 28th March.


The exhibition is on tour from the Alan Cristea Gallery and is comprised of recent prints from the British painter and printmaker Howard Hodgkin. Green Thoughts was inspired by Andrew Marvell’s 17th-century poem, ‘The Garden’ (read Marvell's poem at the bottom of this post). 

A few months ago Tate shots published a video of Howard Hodgkin talking in his studio about an older body of his work, having this background information whilst seeing this exhibition enabled me to appreciate the thought behind each piece more than I would have been able to without watching that short film beforehand. 

The prints are ambient expressions of emotions, the use of colour and depth provoke the viewer to reflect on the art in a way that mirrors their own consciousness in an intimate way.












The Garden

BY ANDREW MARVELL
How vainly men themselves amaze
To win the palm, the oak, or bays,
And their uncessant labours see
Crown’d from some single herb or tree,
Whose short and narrow verged shade
Does prudently their toils upbraid;
While all flow’rs and all trees do close
To weave the garlands of repose.

Fair Quiet, have I found thee here,
And Innocence, thy sister dear!
Mistaken long, I sought you then
In busy companies of men;
Your sacred plants, if here below,
Only among the plants will grow.
Society is all but rude,
To this delicious solitude.

No white nor red was ever seen
So am’rous as this lovely green.
Fond lovers, cruel as their flame,
Cut in these trees their mistress’ name;
Little, alas, they know or heed
How far these beauties hers exceed!
Fair trees! wheres’e’er your barks I wound,
No name shall but your own be found.

When we have run our passion’s heat,
Love hither makes his best retreat.
The gods, that mortal beauty chase,
Still in a tree did end their race:
Apollo hunted Daphne so,
Only that she might laurel grow;
And Pan did after Syrinx speed,
Not as a nymph, but for a reed.

What wond’rous life in this I lead!
Ripe apples drop about my head;
The luscious clusters of the vine
Upon my mouth do crush their wine;
The nectarine and curious peach
Into my hands themselves do reach;
Stumbling on melons as I pass,
Ensnar’d with flow’rs, I fall on grass.

Meanwhile the mind, from pleasure less,
Withdraws into its happiness;
The mind, that ocean where each kind
Does straight its own resemblance find,
Yet it creates, transcending these,
Far other worlds, and other seas;
Annihilating all that’s made
To a green thought in a green shade.

Here at the fountain’s sliding foot,
Or at some fruit tree’s mossy root,
Casting the body’s vest aside,
My soul into the boughs does glide;
There like a bird it sits and sings,
Then whets, and combs its silver wings;
And, till prepar’d for longer flight,
Waves in its plumes the various light.

Such was that happy garden-state,
While man there walk’d without a mate;
After a place so pure and sweet,
   What other help could yet be meet!
But ’twas beyond a mortal’s share
To wander solitary there:
Two paradises ’twere in one
To live in paradise alone.

How well the skillful gard’ner drew
Of flow’rs and herbs this dial new,
Where from above the milder sun
Does through a fragrant zodiac run;
And as it works, th’ industrious bee
Computes its time as well as we.
How could such sweet and wholesome hours
Be reckon’d but with herbs and flow’rs!


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Absolutely gorgeous day for mid January! My favourite piece in the Winter Sculpture Exhibition held at RHS Garden Rosemoor was the Golden Goose, it had a Symbolist/Early 20th Century feel that I thought was quite appealing.
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I can't go into the National Gallery without visiting the Impressionist rooms! Especially now that the gallery allows visitors to take photographs, I could hardly pass off the opportunity.

I took particular interest in the Seurat paintings and as a result I ran a Seurat workshop for a small group of children a few weeks later. It was pretty low key as the children were ages 4 - 10, the results were very good and they all engaged with the activity and left knowing a little more about the impressionists and different methods of painting.

A few of the painting experiments that were made and the paints we mixed while looking at the colours the Impressionists used.






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EXHIBITION : 5th February - 9th March 2015


The Burton Art Gallery have recently started going through their archives of material left behind by the artists Mary Stella Edwards and Judith Ackland. The collection consists of photographs, watercolours, sketchbooks, press clippings, diaries, letters, Jackanda models and various items made between 1913 and 1956 by the artists. The body of work was presented to the Burton Art Gallery by Mary Stella Edwards and is being uncovered by volunteers.

Ackland and Edwards: Read Between the Lines gives the public an opportunity to learn about the lives of the artists during the time they spent at The Cabin in Bucks Mills. The watercolours and photographs, accompanied by poems and letter extracts, paint a vibrant picture of what the women's lives were like. It was very interesting to see this selection of their work and artefacts on display. The exhibition had a huge sense of nostalgia. Ackland and Edwards had such a passionate and beautiful friendship, I can only imagine how wonderful it must have been for them to get away to The Cabin and spend time with each other each year.

This exhibition is a must see for any local history and art enthusiast!









The Burton Art Gallery's page on Ackland and Edwards

BBC 'Frozen in Time' The Cabin Access

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"A rosebud from my garden of delights,
To talk to thee through silent summer night
Of joy and beauty, purity and love,
With words as sweet as angels breath above."


EDWARD CAPERN - The postman poet of Bideford 1819-1894 

I free handedly drew a valentines themed window display for Nature's Nutrition on Mill Street, Bideford! The poet, poem and illustration are highly appropriate for the occasion; Bideford shop + bideford poet, rose illustration + roses mentioned in poem, a very sweet combination indeed!

Biography on Edward Capern and his work.


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